

LOST MY ION DISCOVER DJ CD HOW TO
If your software allows it, learn how to operate solely in internal mode. Learn your software well Learn you software’s shortcuts so you can operate it without any external hardware if need be.

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I’ll admit that many of my gigs when I first started were thwarted due to incompatible wiring. Just to be safe, you might consider bringing your own mixer to events, especially at nightclubs/bars, where house gear is usually sub-par and victims of fallen drinks and cigarette smoke.įinally, consider carrying one long extension cord and two surge protectors plus a spare USB cable for your DVS interface or Midi controller. This is especially important in gigs where you are using a sound system other than your own.

Make sure you can create every possible combination of audio connection (XLR to RCA, quarter-inch to XLR, etc.) and keep in mind female to male plug compatibility. This will ensure that you have back-up cables in case a wire gets damaged as well as extra cord length in case the sound system covers a wide area, plus an RCA to 1/8-inch jack cable (also known as a Y-cable) for emergency Aux In needs. After all, what good are your party rocking skills and awesome scratching techniques if you can’t showcase your talents because of a faulty plug or a corrupted hard drive? Here’s how to prepare properly:Īt least two pairs of each. Furthermore, you need to have a good understanding your equipment and be mindful of what you require to perform efficiently. Most technical difficulties arise from equipment, many of which are due to forgetting to bring something (so frustrating!). So lets look at these before, during and after actions to help prevent the dreaded “radio silence” at your gigs: Before… There are of course, situations for which you simply cannot prepare for, so your secondary saving grace derives from an ability to multitask and think quickly under pressure – skills that come from practice and experience, but which can be taught to a certain extent. Lastly, say you do happen to fall victim to Murphy’s Law and something goes astray despite all your preparation and skills the diligence you put into reviewing what went wrong afterwards will help prevent problems next time. Predicting the various scenarios that may occur during a gig and making sure you have the right equipment will save you from a lot of grief later on, especially mid-set. Not only should you have a variety of back-up solutions at your disposal but you should also use foresight to quickly solve sticky situations. The number one key to dealing with technical problems is to make sure you are well prepared. Insults quickly follow: “Booo! You suck! What happened to music?!” “This DJ is lame! Let’s get out of here.” Your mind is racing and fingers are fumbling about while the room gets increasingly hostile. When this unfortunate event happens to you (and if it hasn’t already, believe me, it will!) what should you do to ensure that the control is not lost? What do the pros do? Well, it’s a three-step approach…. The dancefloor is packed, the music is pounding, and you are absolutely rocking the party, but then… silence. The crowd stops and stares back at you blankly for a few seconds. You look out from behind the booth everyone is having a great time. Carrying spare cables is one of the secrets that time-hardened DJs know for dealing with emergencies in the DJ booth.
